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Showing posts with label freedom. Show all posts
Showing posts with label freedom. Show all posts

Tuesday, February 21, 2017

You are only one, but you are not the only one.


Life is powerful. It can be
powerfully destructive:
tearing babes from mothers' chests
ripping through dead rain forests like a dragon
breathing fire
sucking dry
the oceans that feed us,
spreading famine of
tears that make us beating hearts;
spilling blood
on unholy ground
as the dying rivers cry
their songs of weariness--

But we
who rise from the ashes 
over and over again, 
dawning like a phoenix flecked with gold
after choking on the dust, after 
breaking every limb; 
climbing the spines of our own backs 
up again
and again
and again
racing our hearts to beat
faster, live longer,
love deeper.
 
We are the beauty of this world. 
We can 
claim that for ourselves and 
be beautiful and free, 
in spite of the slavery.

Wash yourself. Again and again.
Be beautiful.
Build your life
as if it were a work of art.
You fall, get back up. Be brave.
Tell your truth. Live.
This is what beauty is.
And you are a part of it.

Tuesday, December 13, 2016

full moon got me like...

Maaaaan, this full moon cycle is hitting me really hard. Not sleeping well, and the waning hours of daylight are heavy and depressing. Lethargy is pulling my body around my house while I wait for something to lift. Depression isn't just mental, it's deeply physical. Mostly in my stomach. Body aches. Disembodiment cloud of fog. I am here.

Just last week I got great news from my transplant doctor: basically I'm doing really well physically. I've stopped my immuno-suppressant drug; which I have been on for over three years. It was what was keeping my new immune system at bay until it got used to living inside my body, a foreigner. I'm lucky that I am able to get off of this drug- any other type of transplant, you have to be on anti-rejection drugs for the rest of your life and you will always be immuno-suppressed. Mine's a special case: since I got my immune system replaced, there is a chance that I would be able to get off the drug eventually. And, hooray. It's happened. It is no small thing. I've been off of it for a couple months now, and none of my organs are shutting down.  It is no small thing.

I'm grateful. My doctor actually smiled at me, told me: "You don't need us anymore" and then gave me a hug. It is no small thing. As I hugged him in his white coat; I said "thank you" and it felt like I was actually thanking him for saving my life, for the first time. I didn't need to say anything else. I couldn't, really. Just "thank you."

I just performed in a movement piece a couple weekends back- after devising the show for two months. It was incredible to be in my body for the first time and feel like it somewhat belonged to me. It's been a long time since I've felt that way. I loved performing. It is no small thing. I really didn't know, until now, that I love performing. That I need to do that.

I performed a heartbreaking physical theatre show four times in a single night: cried through most of it as I embodied a girl growing up, getting caught up into sex trafficking and drugs, having an internal war with herself and finally finding an arm up, which was from inside her. It doesn't end happily. It ends hopeful, I guess. But it was where the real work began. The end was the beginning.

Getting to the point of embodying the headspace of trauma was not what was difficult. I have a well to draw from. We all do. The hardest part was that exact realization. There is no other. We all embody trauma. The woman I embodied was me. It was you. Your daughter. Your sister. My sister.

I was overcome after creating this work (and discovered even more while performing it) of the strength once again of human beings. This woman, this one story we told through movement, is the story of strength. It isn't the story of pity, or the story of weakness. It is the story of bravery. No one is immune to trauma- internal and external. What amazed me was embodying this woman who went through most of her life hating herself, disembodying, disassociating. But in the end, her liberation came from within her. She had to choose to get out. She made the move to do it. Every single time we got to the end of the show, there is a reveal- and even though I knew- actor-brain-wise what was going to be revealed... I was shocked every single time. Honestly, earnestly and authentically. I didn't feel I was acting. I was embodying. I've never had this experience before. Not like this.

So here I am, approaching the end of 2016: job searching, a totaled car, lethargy and depression steeping in me like earl grey. And yet. This time last year I had recently been released from the hospital after one of the most dehumanizing experiences of my life; depressed and entering the literal darkness of this time of year. I am not her anymore. I am a year older, wiser. I see what is happening to me- the full moon or whatever it is, and I can call it out on its' shit. I see you, depression. You are not me. You are not who I am. You try to own me sometimes, but you don't. And that is no small thing.

Approaching this new year with a curiosity. I have almost no idea what will happen in the future. Job searching is lonely and difficult, but I am also just curious. What WILL happen?

I'm lucky to have what I have. I have a body that is still alive, for better or for worse (bit of both). I have discovered what I am meant for: theatre. performance. directing. devising. writing. creating. Not everyone can say either of these things. I am lucky. It is no small thing.

So, full moon: effing bring it. I'm gonna put on my running shoes and leave the house today, even though most of me is saying no, just curl up and die. I'm gonna put on music that inspires me to be a better human. I will be unafraid to read or think things that make me cry or feel overwhelmed by the idea of the world. Beauty and Terror in everything, is everything. Because feeling these things reminds me that I am alive. And that is no small thing.

Friday, November 13, 2015

Day I've stopped counting: Updates and Winterizing my life



"Hello from the Outsiiiiiiiide. I'm freezing over; soon you'll cryyyyyyyyy" -November. 
(November is such a plagiarizing cheat, Adele, I'm sorry.)

Actually, we’ve experienced record warmth this year ("70s? IN NOVEMBER?" I rejoice). But I know its only a matter of time before snow arrives (this part's not so bad: it's beautiful and exciting and surfaces those nostalgic memories of every first-snow you can recall), the dagger-like wind picks up (and due to the fact that I am a paper-doll at the current moment, I fully expect to be whisked away to some distant land in the clouds never to be seen again. I'll write to let you know what it's like to fly, if I can find a pen and a reliable carrier pigeon), and the dropping temperature will chill both my physical and mental state into an angry Dark Ages. I hate the winter.

I remember being young and exhilarated by the prospect of this time of year: waking every morning with the glittering hope of a snow day, watching the school-cancellations scroll across the TV; building underground tunnels and igloos in the mountainous snow banks left by the plows; taking turns playing Snow Queen with my sisters--and when our cheeks couldn't take it anymore: hot chocolate and marshmallows awaiting us inside. It also meant that the holidays were approaching, obviously. Thanksgiving and Christmas: highlighted with melt-in-your-mouth sugar cookies, little red candles spinning the (German? Swedish?) nativity pyramid on the kitchen table, and the smell of evergreen wreaths when you walk through a doorway. Actually now that I've written all of that, it doesn't seem half as bad. Nostalgia is a very powerful thing.

But as you get older and there's no school days to be cancelled, snow means shoveling, scraping ice off your car with numb-ass hands because you can't find your gloves, sitting bitter and freezing as you wait for the engine to warm up, and for me: being perpetually late everywhere because I always forget to factor in how much longer it takes to leave (bundling up the layers, and readying the car, see above). I've also learned something about myself in recent years: I hate being cold. Not just that it's uncomfortable, but I actually get angry. Like really, really angry when I am cold. It's as if my brain shuts down in extreme efforts to focus on staving off hypothermia, and everything and everyone is a noxious distraction from my every cell trying to zip up its tiny winter jacket that the wind seems to blow right through. Not to mention the time-change and ever-shrinking hours of daylight. As soon as I'm cold, I turn into an ogre-ous (this is now a word. You’re welcome, English) form of Bekah. It's terrible, and I hate this version of myself. 

And on top of all this (the impending Doom), I’ve also had some not-great (read: the worst.) life things in recent weeks. I’ve written before about my muscle spasms. Well, they’re reaching an all-time high/low, whichever/whatever. The New Deal: about a month ago, my spasms went (quite suddenly) from a more intermittent irritation (though still excruciatingly painful when they’d happen) to a full-blown life-takeover. Every single day was a time bomb, counting down a spasm clock with the launch procedure completely unknown to me. All I knew that was at some point every day a part of my body will give up the ghost and submit me to torturous agony, often setting off a chain reaction as other parts of my body join in on this...escapade of debauched fate. (I am not exaggerating. I have a high pain-tolerance and I try very hard not to embellish my experience of pain. I have always been this way. This is the same person who unknowingly tore her (first) ACL and couldn’t properly walk for 3 weeks and then couldn’t squat, kneel or go up stairs without pain for over 8 months, but thought she’d just ‘power-through’, and then ignored red-flags of a serious medical condition, aka Cancer, for almost a year after that...dumb. So. Not an embellisher.)

And then every night, frequently hourly: spasms jolting me awake and I try to untangle myself from a blanket mess/straight-jacket to launch out of bed to try to quell the pain that I can only describe as my muscles attempting to break my leg bones. Literally every hour. Clockwork, I tell you. This extreme change in the frequency and intensity of the spasms scared me, and I spiraled real fast into a very dark depression. My life was being taken over by an evil dictator who lashed out erratically, but with enough regularity that I had to cancel, reschedule or amend all plans and appointments for weeks- which in turn caused isolation, which heightened my depression. And in addition, I had recently started taking prednisone again in a seemingly last-ditch effort to regain control of this body spinning off the road. Prednisone is a steroid/archenemy/med that doctors throw around like candy. Sure, it can help a lot of things in a lot of cases, but the side-effects both short and long term can be very bad. Very very bad. Read: bone necrosis, for one. Steroids also F with your brain and intensify any emotion you experience. Read: Depression. So, yeah. Spinning wheel of Death, Brain-side.


I was maxed out. I was maxed out on the pain, and maxed out on dealing with it. Every time felt like the last time I could handle it, I just couldn’t do it anymore. I didn’t want to do it any more. Most of my days were spent wishing I could just be knocked out or put under so I wouldn’t feel it. When I wasn’t just straight up crying (or screaming. I hate to admit this, but I sometimes scream into my pillows so I don’t wake neighbors. These muscles are not messing around. At all.) I’d just be asking god or my body or whoever could be listening: Why? WHY? and then No no no no no no. Your brain can do some pretty weird stuff when you’re in pain. I compulsively talk to myself because, psychology. “You’re okay, you’re okay, you’re ok, it’s okay. It’s okay its okay you’re okay” I call myself sweetheart, honey, my love, darling. And then sometimes it’s the opposite; I curse out this god-forsaken body with a string of uncreative obscenities.

And my never-ending question is How HOW can non-existent muscles cause this much suffering? There’s nothing even there to see (ie. paper doll), let alone spasm to the point of my bones feeling like their going to break. It feels like my body is trying to kill me, again. Cancer didn’t seem to work, so here’s the next attempt. Or perhaps my muscles are in mutiny and seeking to prove that they still exist in spite of me. I don’t know.

Well, finally after about three weeks of these shockingly quick-changing unforgiving circumstances and my mental state spinning out: I had one night of spasms so horrific, lasting so long and attacking new and larger muscle groups that I had no way of calming down or stretching to release, my parents took me to the ER. Of course as soon as we get to the ER my body had relaxed, as is the way of things (I can’t really move when a spasm hits, so we had to wait almost a half-hour in order to get me to the car). I wasn’t upset by this, I mean, not really because I didn’t want to be in pain any more. But it’s also difficult to explain to someone that, just a few short moments ago I was in the most intense pain I have ever experienced, by way of a now pacified and complete hypocrite of a body. The only thing I had to show for it was that I was totally exhausted. The fatigue following these episodes is obscene. They nodded. They took my blood. And my white count was high. Read: infection.

They did a chest X-Ray which revealed that I had pneumonia. I was admitted to the hospital that night and put on Big Gun antibiotics to knock it out (TMI alert it makes your pee smell terrible). With my still being immuno-compromised, pneumonia is nothing to mess around with. More X-Rays, more antibiotics, more nights in the hospital. What’s amazing is that I wasn’t presenting any signs or symptoms generally associated with pneumonia. Nurses and X-Ray techs kept asking me how my cough was doing, and I always had to answer them “I don’t have a cough” to which a quizzical look was always the response. Especially when follow-up questions like “Wheezing? Fever? Shortness of breath?” also got the headshake. What’s also amazing is that the muscle spasms started clearing up as the spot on my X-Ray did. They didn’t go away completely, but the regressed to about where they’d been prior to the Three Weeks of Hell. I tried to be active, walking laps around the floor- because that seems to help keep my leg spasms at bay- and sitting in a hospital bed wasn’t helping the cause.

It wasn’t until the night before I came home that we (well, my mom brilliantly sleuthed out) put together what I see as a pretty clear understanding of what had just happened to me. Why my spasms got so bad so suddenly, and conditionally why my mood spiraled out of control with it. Of course now in hindsight I do recall prior to my transplant, my doctor talking to me about chronic GvHD, and that if I did happen to have it (which was likely, given I had an 8/10 mismatched donor), that it would likely have “flare-ups” throughout my life, usually when I'd get sick. This happens because when the body gets an infection, the immune system “wakes up” (as it should) and goes to town on the infection, which causes symptoms (stuffy nose, cough, etc). At least, that’s what a proper immune system should do. In my case, because my immune system is transplanted and not my own, when it was triggered to “wake up” because I had developed pneumonia (hurrah), instead of attacking the pneumonia, my immune system got confused and started going to town on my muscles instead.

Hopefully my immune system will eventually feel “at home” in my body and not attack healthy things (like my mini muscles). The goal of this transplant is that the donor immune system will do what it’s supposed to do: keep my body free of infection, and keep cancer from returning. That’s called CURE. They say five years in remission is when cancer patients and doctors can start saying the word “Cure”. But I’m not so sure if it’s the same numerical path for me, we’ll see. The hope is to be able to get off of immuno-suppressants so that my immune system can reach it’s full potential to guard me. That may never happen, especially because I have a mismatched donor, and GvHD may be too intense (and dangerous) to ‘take the blinders off’ my immune system completely. But that’s the goal. For now, knowledge is power. Knowing and understanding what just happened to me has released some of the anxiety and depression that wrapped so tightly around me for the past month. If my muscle spasms (or my other, somewhat-less-frightening-but-still-obnoxious presentations of GvHD: so far I have five other ones) ever start to increase like they did this time around—I’ll know, I probably have an infection and my immune system just doesn’t know how to “do this” yet. The scariest part of it all (besides how bad the pain was) was not knowing why it got so bad—and that it was so suddenly and completely taking over my life for no apparent reason. Now I know.

I’m also taking other steps to build a healthier identity. It can be very disheartening when I look back over the year and it’s easy to chastise myself for not being further along than I am. I’ve fallen off the 2015 Year of Health horse a bit, but I can’t let that control me. I have to start where I am. I have begun PT for full-body reconditioning. A harrowing task, but I need to do it for my health and sanity and soul. I am starting to see a new psychiatrist and therapist closer to my home so I don’t need to drive into Boston so often. I am actively trying to gain weight (bacon). I’m doing research and learning how to be my own health-advocate (yup, even 2+ years into this thing and I’m still learning how to do this). I’ve seen a new transplant doctor at MGH for a second opinion, and he was very encouraging that we are NOT running out of options to deal with my GvHD- something that was told to me by my current team at DFCI. I am very grateful to my DFCI team and thankful for everything they’ve done for me, but I’ve had to learn that not everyone knows everything. It may appear obvious, but there you go. Lessons.

We’ve also found a clinical trial researching chronic GvHD that is recruiting new participants. It’s through the National Cancer Institute and the trial is based out of Maryland, so I hope to head down there at some point to be a part of their research. In their list of chronic GvHD symptoms, muscle spasms wasn’t even listed (my other 5 were) so I almost feel its my duty to science and other transplant patients to inform the research about this other form of GvHD #science. I know how important it is to not feel alone, and I want other patients experiencing what I’m experiencing to know that. So, to Maryland I go! I’m planning to contact them this week to start the process.

I am also drawing upon the lessons on self-care from last year, remembering what pulled me out from under last year’s depression: surrounding myself with beautiful, life affirming things: poetry and music, doing arts and projects, intentionally seeking out people and waking up earlier to catch more sunlight. Active self-care is work, but if I don’t do it, I will be doomed to the catastrophe of Winter. So I am Winterizing myself. Building a network of people I love, reconnecting with people I miss. Rilke and Rilke and Rilke. Making things with my hands when they let me, and leaving them in peace when they rebel. Allowing and reminding myself to be where I am, free of judgement and self-loathing. Stretching my muscles, watching the sky, breathing deeply. Winter, there are no strings on me.

Tuesday, June 23, 2015

Day 635: Art, Risk, Freedom.

I'm writing on a Tuesday evening, after a long day of work. Hey! I've started work again, at the cafe I used to work at before this whole shebang. I am very happy about it, and especially because it seems to be going a LOT better on my body this time around. And it's good to see the old faces coming in. I really have been getting stronger, and my body is approaching health (APPROACHING HEALTH! NEVER DID I THINK THESE WORDS WOULD LEAVE MY CYBER-OR-OTHERWISE-MOUTH). Still approaching, though. We move in waves, you know. Some days are good, some days I feel mysterious nausea and tingling in various parts of my body and the spasms take over... Every day is a Bertie Botts Every Flavor Bean.

But let's talk about good. 

My theatre company has put up another show! Can you believe it!? I really almost can't, except that it's happening already. I've directed and produced another original production: Between. Which, is an interesting title for many reasons, now that I really (have time to) think about it. We opened last weekend (it was fantastic), and we have another (final) weekend coming up. The show is joyous and full of play and imagination; but also doesn't shy away from real things in life. I always hope to strike a delicate balance between beauty and terror, to use Rilke's words, because that is what I find life to actually be. Somewhere either in beauty or terror, or someway moving or traveling between (see what I did there). It's actually a prequel to our first show, which was my senior thesis in college (we were not then officially The 5th Wall yet); The Wells of Fancy Dry. Both shows center around a little girl and her father, and some other...interesting...characters in her life. I have loved watching this show unfurl, and I can't wait to see how it grows and evolves this coming weekend.

You see, we do what is called intimate immersive theatre: theatre that is all around you, and in small groups. There is no formal 'seating' where the audience "sits", and no 'stage' where the actors "act". I usually call it part art-installation, part-interactive theatre. Though honestly, I shy away from the term "interactive" because for so may people that is a huge turn-off and the baggage of the term gives the wrong impression about what our company does. We endeavor to create theatre that is accessible to everyone. I love having people who have never been to the theatre, or who do not consider themselves "theatre-goers" in the audience (I love all the theatre peeps too, don't worry), because they don't know necessarily what the "rules" of theatre are. And here at The 5th Wall, we are not rule-followers, certainly not in the traditional theatre sense. It follows my true heart in that we carve our own path, and we create stories and characters and worlds that are platforms for experiences for the audience. Because part of our mission statement is about creating together: a safe space for both actor and audience to create stories and play. Just as most of our work is devised (ensemble-created), our end product is completed by the audience. Every singular performance is unique because of who is there. Every night, my cast faces the ultimate challenge of an actor and an ensemble: to perform a show with a character with whom they've never worked with; and often, never met: the audience. It creates some pretty spectacular once-in-a-lifetime experiences, for everyone involved. This is where our company name comes from. Some of you may be familiar with the theatre term "the fourth wall"; for those of you who are not: this refers to the invisible "wall" between the audience watching and the actors acting- sometimes in Shakespeare for instance, a character will 'break the fourth wall' and speak directly to the audience). With our company, we (almost/usually) altogether throw out this concept, and instead, draw a "fifth wall": one that separates us (the actors and the audience) from the rest of the world: from cronos time, from reality and all of it's negativity and self-doubt, from age definitions, from troubles big and small. While you are in one of our shows, we hope you are able to relax and feel safe to create art with us, and a singular performance is a special experience shared by those who were there.

It's a huge risk. Every production is a risk. Every single show is a risk. Every productions that I have directed (and so far, I have directed all of them for our company), at some point (usually towards the end when its getting really hard, and anxiety crunch-time is crushing me) I vow to never do this again. Whether it is theatre dramatics or just post-show amnesia, I always find myself back at it sooner rather than later...and the cycle continues. We take huge risks. It is a huge risk to throw your artwork into the hands of other theatre artists. Ensemble. And then a whole other risk to then throw that artwork into the hands of people--our audiences--whom I believe to also be artists; and I don't care at all what anyone says to the contrary. We were all children once, and all children play without any self-judgement. And that is true art: complete freedom to create.

And if you're still unsure about "interactive theatre" just know that we've had many interactive-theatre avoiders and (yes!) introverts come to our shows and truly enjoy our work. Seriously I am not making this up. Our greatest goal is to be an invitation to play- however much you want to give (or not) is perfect. This is what I always tell my actors. Come as you are, you are perfect.

Everyone has in them, somewhere- even if hidden- the potential for play. And if you've forgotten or misplaced it, let this space unlock that part of you. We were all children once. And children know how to create freely. 

So, if you're in the Boston/North-Shore area, you should come check us out. You can buy tickets on our website: the5thwall.org. I hope to sell-out this weekend. And all profits go directly into the company for making more art, and paying for rentals etc. I do not (yet...) take any money from this, but we hope to slowly start paying our actors as well as other collaborators (some collaborators we can pay; a humble sum yes, but pay nonetheless). So tell your friends. Bring your kids. We want everyone. Come as you are, you are perfect.

and also here's the title logo and poster that I designed. I wear many hats in this company.

Wednesday, March 26, 2014

Day 181: this is water

Something deeply embarrassing occurred yesterday, and for some reason I can’t stop thinking about it, so here we go. I don’t get embarrassed easily, so I find this experience to be unique and therefore worthy of conscious mulling over. I am afraid to write about it. But I am striving to be honest with myself, and I see this as a teachable moment. 
So self, listen up.

Well, I could not BELIEVE the people in front of me. So unaware of what’s going on around them; the other people who are waiting in line and possibly now late to an appointment, perhaps? Here I was, finally I had arrived fifteen minutes early; FINALLY early after weeks of being late for my massage appointments, and all the embarrassment that goes along with being that person who is always late and pushes everything late and late late late late. I was so happy to be early, to check in downstairs, pay the money, grab the receipt, get upstairs, check in again, get vitals done and then finally get to the massage. There are two women in front of me at the register where I have to check in. They’re talking to each other about the money, talking to the woman at the register, how much is it—oh really? Wow okay. How should we pay for it, oh it’s $246.50 with the discount? What about insurance, I think insurance is supposed to pay for it—well we need to submit it to the insurance for reimbursement, well is it better to pay with check or a card to submit it to the insurance company? I’m not sure if the insurance company will pay for it, what is the insurance? Well let’s submit it anyway, does the receipt say what it is on there? Can we have two copies of the receipt?—And would you like the dark blue bag or one of the other colors?—Oh, what are the other colors, yes can we see them all? And the tissue paper colors. Do you like the dark green with the blue? Maybe the white. Also do you want the light colored cap or the darker one? Do you have a box?

Starting to breathe heavily beneath my mask, I was able to hide most of my displeasure and annoyance. I just wanted to be on time for once in my life is it too much to ask? I felt the anger rising, so quickly it actually surprised me. I did the work, I got here early, shouldn't I be able to reap the benefit of doing it right for once? It took almost a full ten minutes for me to realize that these two ladies were in fact buying a WIG FOR A PERSON WITH CANCER, and what the hell is wrong with me? Why was I getting so upset?

Only five days prior I had just re-watched David Foster Wallace’s commencement speech that he gave in 2005 at Kenyon College called ‘This is Water’*. In the beginning of the speech, Wallace uses an illustration: there are these two young fish swimming along and they happen to pass an older fish going the other way. The older fish calls out to them, “Morning boys. How’s the water?” A little while later, one of the younger fish turns to the other and goes, “What the hell is water?” He goes on to say that, like these young fish who have no concept of what their world is made of, our human default setting is to put ourselves in the center of the universe: our hunger, our frustration, our needs are of the utmost importance; and look at how fat, stupid, lazy and inconsiderate everyone else in THE CHECKOUT LINE is (I know, it’s so specific; this is the height of my embarrassment), and can’t they see what they’re doing to me? Wallace challenges this unconscious ‘default setting’ of placing ourselves at the heart of our worship with the freedom that an education gives you to choose how to see the world. And this is hard, because what adult life is really made up of most of the time are long days, monotonous tasks, difficult and harrowing experiences, small pleasures, and little comfort. Dealing with this reality is the genuine challenge of life. To have an education is to have the chance—the freedom—to choose how to experience the world: is this a world in which I am the perpetual underdog, a world where the baddies are out to get me and ruin my chance at happiness? Or is it a world that is filled with people trying their best in demanding and intricate situations? Wallace offers an example in his speech: it is not impossible that the woman in front of you in the checkout line who just screamed at her whiny kid is over-worked, exhausted from staying up late hours with her husband who is dying of cancer, and who is now trying to pay for groceries with the food stamps that are stuck in the recesses of her wallet. It is not impossible. In fact, it is nearly the EXACT situation in which I found myself yesterday. Even as I was standing there, thinking, “this is water. This is water.” I was boiling. I knew FOR A FACT that the women in front of me are so intimately close with someone who is going through cancer that they are paying for her wig. And yet. I boil.

And it was this bizarre meta-experience (oh existential crises) in which I found myself divided. On one side, I am trying to be honest about situations and experiences, and truthfully living out my feelings. And I was feeling frustrated and angry that these women were literally talking about tissue paper shades for fifteen minutes while I missed my appointment. And yet, I heard the little voice inside me ‘this is water. This is water, Bekah.’ And I had to let that be the prevailing voice in my body. I had to let the anger go. Manually, if that’s what it came to (and it did): Unclench your teeth, soften your eyes, breathe out. The honest truth is I have no idea if the woman in front of me was barely hanging on to herself, maybe she was just managing to hold back tears, like I was, trying to pick out the damn tissue paper. She probably knew how stupid it all sounded but somehow it was still a monumental decision. And I have to accept that. We are all going through the trenches; albeit at different speeds and abilities and at diverse points over our lives: but it is the universal experience. I want to choose to see that we are all a part of the same scheme, all our own little cog in the capital G Grind that holds us all in a balance.

And perhaps it will start to transform: from little cogs to a big picture system that will somehow never cease to humble and amaze. I want to soften my focus to allow the peripheral to be just as influential. To do that work. To allow people to affect and change my life, to allow splendor to exist in the mundane, to let everything happen to me: beauty and terror.


“The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and sacrifice for them, over and over, in myriad petty little unsexy ways, every day.”
—David Foster Wallace, This is Water




* This speech was published as a book in 2009 under the same title, and here’s a link to a little video that uses an excerpt from the speech (and is so worth watching) http://dotsub.com/view/6b8cc93f-3b53-486b-a1ce-025ffe6c9c52